The back-to-front rock star: BP Fallon reflects on his extraordinary career in music.

DJ, musician, and all-round rock’n’roll star, BP Fallon has worked with Led Zeppelin, shared a stage with John Lennon, and now fronts his own band. But before he gets down to writing his memoirs, the Dubliner has another chapter to live, he tells Katie Byrne.


“I give thanks that I’m still alive because a lot of crazy stuff went on. I mean crazy”
Photo by and ©Patrick Bolger

With his trademark bowler hat and black Converse shoes, BP Fallon looks every inch the rockstar as he poses for photographs in Dublin’s Freemasons’ Hall.

As someone who has been in front – and behind – the camera for the better part of his life, he doesn’t need much direction.

The all-round music man is back in his hometown to take part in Hennessy Sound Lounge, an ‘autobiographical journey through sound’ that will see him sharing music, musings and cognac with a small group of guests.

It all sounds very cosy but Fallon admits that he finds the prospect a little daunting. “I’ve DJed to 80,000 people with U2 and I’m more comfortable with that,” he says. “It’s easier than talking to 12 people.”


BP DJing in 1965

Bernard Patrick Fallon – or ‘Beep’ as he is known in the music industry – is talking about U2’s Zoo TV tour in the early ’90s. As the warm-up DJ, he played records from inside a futuristic mirror-covered Trabant which now resides in the Rock and Roll Hall of Fame. And this is just one of his stories…

Fallon’s extraordinary career has given him an Access All Areas pass to just about every corner of rock ‘n’ roll culture. He shared a stage with John Lennon and partied on Led Zeppelin’s private jetliner ‘Starship’. He worked with Marc Bolan, Phil Lynott and Joe Cocker and got immortalised in a street art mural by Maser.

He agrees that it’s probably time to start thinking about his memoirs when we repair to Buswell’s Hotel, but he has another chapter to live. He’s now in a band, BP Fallon & The Bandits, and they’re only getting warmed up…

Fallon was born in Dublin but moved to Germany when he was three. His father, Colonel John Fallon of the Duke of Wellington’s Regiment, was posted to the British Army of the Rhine and, a few years later, young Fallon was sent off to a Yorkshire boarding school run by Benedictine nuns (monks, actually – The Cosmic Editor).

He didn’t enjoy Ampleforth College. “We were taught more or less to be the same as everyone else,” he recalls. “And if you’re not the same you’re an aggravation to the teachers. But those people who are not the same are often the magic ones…”

He didn’t connect with his fellow students but it didn’t matter: he had his beloved rock ‘n’ roll music, and it would soon serve him well.


Photo by and ©Patrick Bolger

Fallon was a 17-year-old student in St Conleth’s College, Dublin, when he got a Saturday job as a panellist on RTÉ’s Pickin’ the Pops in 1964. “We’d listen to records and say if they were going to be a hit or a miss,” he explains.

But the young rocker didn’t exactly fit in there, either. “I was the freak,” he deadpans. “I had long hair and that caused a furore because it was considered foreign. The Irish Catholic had a front page editorial saying that RTÉ was not set up to mirror the worst of English pop culture.

“Then Gay Byrne had me on The Late Late Show to be objectively probed,” he laughs. “There was an actor there who was very facetious with me. He called me ‘Sonny’ so I called him ‘Daddy’ and the audience roared with laughter.”

Byrne wrote about the experience a few days later in his Evening Herald column. “I know it sounds patronising but he wrote how intelligent he thought I was and how he’d never met a nicer person and all that. So I became famous very quickly in Ireland because television was new for everybody and RTÉ was comparatively new.”

How did his St Conleth’s classmates feel about his new-found success? “They didn’t like me,” he says at once. He stops for a moment to consider this before offering up a neater conclusion: “F*** ’em.”

It’s hard not to draw comparisons between the young Fallon and William Miller in Cameron Crowe’s semi-autobiographical film, Almost Famous.

William got a $35 assignment to review a 1973 Black Sabbath concert; Fallon was earning £15 for every half-hour Pickin’ the Pops segment – more than some Irish people were earning a week.

But he had itchy feet. The King’s Road and Carnaby Street were in full swing and Grafton Street didn’t have quite the same appeal. “I wanted to go to where the fountain was,” he remembers, and, in 1969 he finally made the move.

His first job was driving a bread van. The depot was just off Wardour Street, where the infamous Marquee Club was. This meant he could see Jimi Hendrix play and then pack up the van and drive around London afterwards.

“I was really concerned that people from Ireland would see me and think, ‘Oh God, is that what’s happened to him?'” he laughs.

The depot were happy with him – even when he crashed the van on the first day – but the young rocker was already thinking towards his next gig.

He noticed that rock stars like Jimi Hendrix were buying Crimean War-era Royal Hussars jackets from antique shops on the Portobello Road. It’s illegal for people who are not serving in the military to wear uniforms so he pitched the story to Newsweek and filed a report on the fashion trend from the gritty frontlines of rock’n’roll.

The piece gave him some gravitas in the industry, which he used to full avail when he secured an interview with John Lennon at the ‘bed-in’ in Amsterdam. The piece appeared in Melody Maker and a byline in one of the most respected music magazines of its time gave him another string to his bow.

The Lennon interview also introduced him to The Beatles’ press officer and close friend Derek Taylor who, “out of goodness and kindness”, gave the enthusiastic young Irishman a job as a general assistant at Apple Records. As a schoolboy, Fallon used to hide on the Dublin to Liverpool boat to go and see his heroes play at The Cavern Club. Now they were his bosses.

Fallon’s tasks varied. One day he would be asked to write a bio on Billy Preston, the next he would be asked to perform quality control on The Beatles’ marijuana, the next he would be asked to pick up an instrument and perform ‘Instant Karma!’ with Lennon and the Plastic Ono Band on Top of the Pops. Yoko Ono can be seen crocheting while blindfolded in the video, while the young Dubliner is centre stage, miming the bass guitar. Lennon later described the motley crew’s antics as “concept art”.


Marc Bolan & BP Fallon in 1971 by and ©Barry Wentzell

Things got even wilder in the ’70s. Glam rock was exploding and, after learning from the best in the business, Fallon was ready to add ‘music publicist’ to his rapidly expanding CV.

He was in the middle of the action for the rise of T.Rex, even coining the term ‘T.Rextasy’ as a parallel to ‘Beatlemania’. The following year he was flying high with Led Zeppelin on the ‘Starship’ private jet.

He worked with some of the most influential rock artists of all time and he began to notice that some of these stars were burning bright before they even picked up an instrument.

“Phil Lynott was a star – not because he was famous – but because some people are just stars,” he says. “He would walk down Grafton Street and he was cool. He was exotic and he was erotic. The guys wished they were as cool as him and the girls wanted to f*** him.”

He tells another story about the day Jimi Hendrix, Noel Redding and drummers Viv Prince and Mitch Mitchell silenced an entire TV studio with their combined charisma.

“The whole place just went quiet and they hadn’t done anything. Jimi was radiating, you know? And Marc Bolan, God bless him, was on the same show – as a side act – and you could see the two of them palpably vibing. It was incredible. They were in contact, you know?”

Does he think musicians can be prophets? “I do – but they can also be pumped-up idiots, too. The Beatles are to blame for that, and acid. Before that, you’d ask a guy in a band what was his favourite colour or who was his favourite movie star and then suddenly, after acid and The Beatles, all of these people were suddenly gurus.

“Eric Burdon, singer of The Animals – a hard-drinking guy from Newcastle – was suddenly Guru Eric, talking about cosmic things. They were treated like that and, after a while, when you’re treated like that, you act like that, too.”

After a long and storied career as a music publicist, Fallon returned to Irish broadcasting in the ’80s. He won a Jacob’s Award for his RTÉ 2fm show, The BP Fallon Orchestra. Then he set up Death Disco, an international club night that saw him sharing the decks with everyone from The Kills to Kate Moss.

Things were ticking along nicely – and he was even thinking about getting around to his memoirs – when a chance encounter in a New York nightclub changed everything.

Jack White of The White Stripes approached him and asked if he’d like to come to his Third Man studio in Nashville to record an album. Fallon’s answer was an immediate and emphatic yes.

“Unlike a lot of rock ‘n’ roll stuff, it wasn’t just verbal,” he says. “A plane ticket arrived and I went down there.”

The recording experience was “better than an orgasm”. “I was in heaven and something happened – I was higher than I’ve ever been before.”

The session culminated in a three-sided vinyl release, Fame #9, which includes a spoken word track called ‘I Believe In Elvis Presley’. (a rock’n’roll song, actually, with Mr White on guitar, while Fame #9 is spoken word – The Vinyl Editor). But Fallon was far from finished.

Seizing the momentum, he called up three musicians that he admired – guitarist Aaron Lee Tasjan, who has played with the New York Dolls, and the Blondie rhythm section of Nigel Harrison (bass) and Clem Burke (drums) – and asked if they’d like to be in his band. They all said yes and, without much ado, BP Fallon & The Bandits was born. “I’m doing it all back-to-front,” he smiles

The ease with which Fallon assembled his dream team would suggest that he has some very influential people on speed dial but, more than that, it shows that he has a canny knack for being in the right place at the right time.

So, is he lucky, smart or both? Or, more specifically, can we engineer the fortuitous encounters we have, or are some people just born under a lucky star?

“I’m not going to tell you that I’ve never thought about it because I think about it all the time,” he admits. “It’s to do with not being afraid of the moment. I can walk in any door and if they don’t want me there I’ll leave and I’ll apologise for being discourteous.

“But I do think you can create your own luck. I think you can give things a nudge if you’re not too scared of following your instincts and seizing the moment.”

Fallon also saw the dark side of rock ‘n’ roll during his time as a music publicist. “Phil Lynott – God bless him – wanted to be the rock ‘n’ roll guy all the time,” he says. “But you can’t do it all the time. It kills you.

He gave up drinking “a long, long time ago” and he doesn’t really do relationships, either. “No one with any sanity would put up with me for more than 37 hours,” he says, “but they will have an incredible 37 hours.”

He still smokes marijuana, though – freely and frequently – and he would like to see it legalised in Ireland. “It’s just a crime that this plant of medicinal value is not put to use.”

These days he divides his time between Dublin, Austin and New York. Ireland is for friends and family, Austin is for music, and New York is for mischief. The States also has Whole Foods, which is where he does most of his shopping.

The man who was once at the helm of glam rock is now a healthy eater who avoids foods with added sugars and sweeteners. “People argue that I’m too thin,” he says, “I turn sideways and I’m absent! But I take up less space and I can go places other people wouldn’t fit…”

BP Fallon - The Irish Independent

Written by Katie Byrne – Photography by Patrick Bolger

 

Hennessy Sound Lounge

Hennessy Sound Lounge

BP Fallon is one of seven music collectors speaking at the Hennessy Sound Lounge running in Hen’s Teeth, Fade Street, Dublin 2 from July 19-28.

He appears on Friday July 27th at 6.30 and 8.30pm, talking about/playing eight records that coloured his life, to an audience of 12 people.

Tickets cost €8 (plus booking fee). See Eventbrite for more details.

NEWS FLASH:
Tickets for BP’s Hennessy Sound Lounge appearances are SOLD OUT.

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You Got The Silver – ‘Henry McCullough’ plays & reflects. Photo by Denis Woods

The London-based record label Late Night Tales have craftily/cleverly/kindly held back a stash of the USA version of the Record Store Day ‘Henry McCullough’ 12″ with the amazing Andrew Weatherall remixes.

The American RSD release comes in a silver mirrored cover – it is gold in the UK and elsewhere. A limited edition of 1,000, each record is individually numbered. Late Night Tales have revealed that they put aside nearly 300 of these treasures.

Thus, those of you who have been gnashing your teeth can now rest your molars – as long as you’re quick on your feet – these splattered colour vinyl collectors’ items are moving quicker than Elvis’ left leg, so grab yours now
BUY USA SILVER EDITION – BP Fallon & David Holmes ‘Henry McCullough’ – The Andrew Weatherall Remixes

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Record Store Day in Dublin: BP Fallon spots the last ‘Henry McCullough’ in Tower Records. Snap by Barney

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Record Store Day in Dublin, Part 2: Size Matters – man with 12″ of splattered colour ‘Henry McCullough’ vinyl outside Freebird Records. Pic by Barney

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Record Store Day in Austin: Sloane Lenz Queen Of The Hop reflects on the very last silver-mirrored ‘Henry McCullough’ in Waterloo Records. Pic by selfie

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BP Fallon – Hot Tongue – the video

Created by the Lenz Twinz – the multi-faceted duo of Sloane & Felix Lenz – the video was filmed in Austin at venues such as Hotel Vegas, Swan Dive, Guero’s, San Jose Hotel, The Saxon and Red Horse Ranch during SXSW, at which BP Fallon & the exemplary musicians played eleven rousing shows.

Hot Tongue lead singers – BP Fallon & Carley Wolf & Annie Marie Lewis with guitar aces Danny B Harvey & Joe King Carrasco & Aaron Lee Tasjan plus Jonas Wilson on bass guitar & Jonny Wolf on good vibes 🙂

Buy the Hot Tongue limited edition of 100 180gm LP hand-numbered & signed by BP plus four pages of inserts $55 + p&p on Bandcamp & CD Baby. Also available there for download $5.50

Here are a bunch of screengrabs from the video:

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BP Fallon & Annie Marie Lewis & Joe King Carrasco & Jonas Wilson’s bass guitar

Twangin'!
BP Fallon & Danny B Harvey

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Danny B Harvey’s guitar & Annie Marie Lewis & Jonny Wolf & BP Fallon & Carley Wolf & Joe King Carrasco & Jonas Wilson

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Annie Marie Lewis & Joe King Carrasco & Jonas Wilson & Aaron Lee Tasjan & BP Fallon & Danny B Harvey

“Someone told me something
I’d like to tell you now
But I can’t remember what it is
Not right now anyhow…”
– Hot Tongue lyrics by BP Fallon – music by BP Fallon/Danny B Harvey

🙂

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BPF & The Hot Tongue Gang: Carley Wolf lead vocals & Joe King Carrasco electric guitar & BP Fallon lead vocals & Annie Marie Lewis lead vocals & Danny B Harvey electric guitar & Clem Burke drums. Photographed in Austin by Theresa DiMenno

We are thrilled to announce the surprise release of the new BP Fallon album ‘Hot Tongue’ – a Limited Edition of 100 180gm 12″ LPs, each hand-numbered & signed by BP.

Presented by Vibrosonic Records as Test Pressings, this quirky collectors item plays at 45rpm on the ‘A’ side & at 331/3rd on the ‘B’ side.

The six-track album is available as a vinyl LP & also as a download on BP Fallon’s Bandcamp & his CD Baby

Hot Togue by BP Fallon

Hear the title track ‘Hot Tongue’

Lyrics by BP Fallon
Music by BP Fallon/Danny B Harvey

BP Fallon – lead vocals
Carley Wolf – lead vocals
Annie Marie Lewis – lead vocals
Danny B Harvey – electric guitar
Joe King Carrasco – electric guitar
Jonas Wilson – Hammond organ
Nigel Harrison – bass guitar
Clem Burke – drums
Hector Muñoz – percussion
John Sheahan – fiddle
On ‘Aural Sects Mix’ add Nigel Harrison – Wurlitzer

Produced by BP Fallon

Mixed by Gavin Glass/BP Fallon at Orphan Studio, Dublin
‘Aural Sects Mix’ by Barry Murphy/BP Fallon at NuMu, Dublin

Recorded at Red Horse Ranch Studio, Austin, Texas
Additional recording at Orphan Studio, Dublin, Ireland
Engineers: Mark Younger-Smith/Jonas Wilson/Gavin Glass/Peter Ashmore

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The ‘Hot Tongue’ voices: Annie Marie Lewis & BP Fallon & Carley Wolf. Photographed at Red Horse Ranch Studio ATX by Radek

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Two Dodgy Geezers – BP Fallon presents Ian McLagan with the album ‘Still Legal’ on which Mac plays Hammond organ. Photography by Crystal at The Lucky Lounge, Austin, Texas

BP Fallon writes:
It’s a year ago today since Ian McLagan died. It was so shocking, this effervescent man so suddenly gone. I heard the news from Austin and in New York I wept. Can I tell you how amazing Mac was/is? No need. You know. Magical on the keyboards, magical as a man, twinkling onwards through any passing storms… Ian ‘Mac’ McLagan of Small Faces/Faces, played with The Stones, was in Dylan’s band, in The New Barbarians with his chums Keith and Ronnie and the mighty Bobby Keys. And so on, including gracing the BP Fallon & The Bandits album with his incredible Hammond organ.

I found this old message that Mac had sent me on FB in 2011. He said “Lots of love BP. If I ever download those pics from my UK phone there’s a bunch of great ones of us from upstairs at Whelans. See you soon Mac x”. Whelans is a venue in Dublin where Mac had played and we’d had such fun. I never dreamed then that one day he’d play on our record. Well, I never dreamed I’d make records, it never occurred to me. Then it happens. Amazing. I’m so honoured that Mac played with us.

These pictures below are our little tribute to the great Ian McLagan. I wish he was still here with us. I love him. It breaks my heart.

– BP Fallon Dec 3rd 2015

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Ian McLagan & BP Fallon during the recording of the BP Fallon & The Bandits album ‘Still Legal’ at Red Horse Studio in Austin, Texas. Photography by Radek

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Mac recording with The Bandits – guitarist Aaron Lee Tasjan hips him to a suggested vibe and Mac’s on it. Photography by BP Fallon

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Eat your heart out Booker T! Photography by Radek

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Bandit bassman Nigel Harrison from Blondie tells Mac what kind of shirts the Small Faces were wearing when he first saw them play live. Photography by Radek

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Dinner at Red Horse Ranch – Mac’s friend and publicist Jo Rae DiMenno and Mac well chill & Nigel is spacing out at the ultra-ness of it all. Another fantastic dinner, thank you Jimmy & Harper Quill. Photography by BP Fallon

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But it wasn’t all fun & laughter, there were deep moments of sombre reflection too, of loved ones departed too early from this world… Photography by Radek

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Yet even in the dark, Mac was a beacon of light – BP Fallon, Hector Munoz, Clem Burke, Ian McLagan & Aaron Lee Tasjan having a vibe under the stars at Red Horse Ranch. Photography by Radek

And!

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Ronnie Wood at home in Ireland with he and BP talking on the speaker phone to Ian McLagan at home in Austin, 1997. Photography by BP Fallon

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The mighty Howlin’ Wolf & his very young keyboard player Mac

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The magical Small Faces – Kenney Jones & Ronnie Lane & Steve Marriott with out front Ian McLagan

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When Mac was playing in The Rolling Stones, he & Ronnie & Mick went to see Muddy Waters in southside Chicago at the down-home Chequerboard Lounge

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You’re Never Alone With A Hat – Bob Dylan & his merry band 1984 – Colin Allen (drums) & Ian McLagan (keyboards) & Greg Sutton (bass) & Mick Taylor (guitar)

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The New Barbarians 1979 – drummer Ziggy Modeliste from The Meters & ace sax man Bobby Keys & jazz man bassist Stanley Clarke & the triad of Ian McLagan (keyboard/bvs) & Keith Richards & Ronnie Wood (guitars/vocals)

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Two Dodgy Geezers. Nice stitching! 🙂

And flash to Austin in March this year:


‘Upward and Onward’- Ian ‘Mac’ McLagan Remembered

A bunch of Ian McLagan’s friends gathered at SXSW in Austin earlier this year to pay tribute to their pal.

On the panel – singers BP Fallon and Patty Griffin both of whom Mac recorded with, bass-player Jon Notarthomas of Ian McLagan & The Bump Band who played with Mac solo too, KUTX radio personality Jody Denberg, Jo Rae DiMenno who did Mac’s press and David Fricke Senior Editor of Rolling Stone.

Says BP Fallon here – “What is stardom? Stardom is generosity of spirit and the joy of life made contagious and in that context Ian McLagan was as big a star as anyone”.

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BP talks about Mac watched by Patty Griffin and David Fricke. Photography by Radek

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David Fricke & BP Fallon & Jody Denberg & Jo Rae Di Menno & Patty Griffin & Jon Notarthomas. Photography by Radek


Ian McLagan with Patty Griffin – ‘Never Say Never’ – The David Letterman Show

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Ian McLagan’s home in Austin. Photography by BP Fallon

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Ian ‘Mac’ McLagan. May 12th 1945 – December 3rd 2014.
Photography by Theresa DiMenno

Rest In Peace, Mac. And thank you. We love you x

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