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FALLON GETS EVEN MORE STONED
THE
ROLLING STONES AT THE BEACON THEATRE continued...
Sunday’s Beacon
Theatre show was a charity event in honour of
the 60th birthday of Bill Clinton, who
came with his wife Hilary. “I’d
like to welcome President Clinton”, Jagger quipped, “and
I see she’s brought her husband”. And afterwards
there’s Ronnie and, uh, Bill talking
art and Bill’s asking Ronnie who's
already given him a couple of pictures to paint his portrait.
Wednesday’s
highlights: As
Tears Go By, with Keith perched
on a stool playing acoustic guitar. Faraway
Eyes with Ronnie on pedal
steel and Mick and Keith sharing
a mic and smiles as they harmonise on the "If you're
downriiiight... disgusted...and life ain't worth a dime..." chorus
like two twinkling old hillbillys who still love each
other. Magic.

Martin
Scorcese – blues freak and maker of The
Last Waltz - is filming this intimate-by-Stones-standards
gig, 17 cameras aimed at the stage with another roving
lens in the hands of Gimme
Shelter filmmaker Albert Maysles.
So they bung on a few special guests to further flog
the DVD.
“Here’s
one we learnt from Muddy
Waters” says Jagger as
support star Buddy
Guy guests on Champagne And Reefer. “Give
me champagne when I’m thirsty, give me reefer when
I want to get high!” Sir Mick sings
with his blues king Buddy. “We
haven’t played in a theatre since 1964” Mick lies
before the ensemble burst into the soulstirring Tempts classic Just
My Imagination.
Jack
White has already been on, towering
only in height above the suddenly-dwarfish MJ as
they duet on the countried Loving
Cup and now, good Lord,
it’s Christine Aguilera in
black stockings and a white skimpy half-hooker half-schoolgirl
vibe prancing about like a a less medicated Liza
Minnelli and a goat on speed. The girl’s
got a great voice – great pipes – but
she over-sings and over-emotes and throttles Live
With Me and Jagger ever
the professional dutifully rubs himself against her
undulating arse… all in the name of showbusiness,
of course. Christina’s enjoying
her triumph with these Rolling Stones fellows
and skips up to Keith for more fun
and frolics - whereupon this face like a nicotine-stained
walnut glares a death-ray of “WHATHEFUCKAREYOUDOINGONMYSTSAGE!” at
her before it turns to Ronnie and
the two twangers cackle like errant schoolboys.
From
the crow’s nest of the top balcony, like a chopper
pilot or God, you can see the whole
boogaloo from above, right to – behind the amps
on the naked stage – an army of black-clad technicians
and tuners and lined up neatly in their flight cases
more guitars than there are Uzis in Israel.
And
downstairs all through the concert there's a ribbon of
cute young women leaping up and down right up against
the front of the stage, their arms in the air and toothpaste
smiles and honey-blonde hair a go go. Not feral young
chicks with their tits hanging out and their pussies
moist but nice girls, y’understand. This is how
they got there – a
wild story [and cool blurry phone pix].
And
the moment that’s a particular pleasure to treasure: Ronnie
Wood on slide guitar and Keef out
front alone at the mic, no guitar, a big long black coat
on him so he looks more than ever the highwayman scarecrow,
whispy hair under his scarf thingy resembling an abandoned
bird’s nest, his magnetic face a million shipwrecks
that have risen from the darkness to a new light thank God,
hand on the mic-stand as that rust-caked voice croons “You
got my heart, you got my soul, you
got the silver…” and then he’s
announcing with a chuckle “Here’s one I used
to do with The Winos” and now
with a guitar danglin’ off him and Charlie whacking
the drums and Ronnie stinging like a
bee it’s Keef Riff Hard the electric
cobra dancing into Connection, “Connection,
I just can’t make no connection!”. Yes y’can,
y’bastard.
Fuck
yeah.





Photos
by + © BPF
from The BPF Stones Archive:
Keef Riff Hard The Academy NYC am Jan 1 1993 from BPF’s
book U2 Faraway
So Close; BP DJed this New Year’s Eve show which
was broadcast live in America by ABC TV | The Stones at Hyde
Park London 1969; note BP Fallon – knees tucked under folded arms as he surveys the scene of band and 500,000 punters – sitting on the sound tower behind Jagger. Photographer unknown | Keith and then The Rolling Stones
SBC Park San Francisco 2005 | Brian Jones in drag on stage
with The Stones Nassau Coliseum 1994 |
Ronnie and Leah Wood and a bit of Bernard Fowler at Lillie’s
Bordello Dublin after The Stones gig at The Point 2003
| Mixing desk Luzhniki Stadium Moscow 1998
BPF
thanks Radek
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